Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | K., L. W. | Frankfurt an der Oder ... [Nachrichten.] [Achtstimmige Bach-Motette mit der Singegesellschaft in Frankfurt/Oder (Sp.636f)] |
AllgMlZ |
27 | 38 | 21 Sep 1825 |
636-641 |
|
| 2. | Bienkowski, L. | Korrespondencya. Suwalki, d. 30 czerwca. [Sala Gimnazjalna: koncert na rzecz Instytutu Muzycznego Warszawskiego pod dyrekcjA Mikolaja WAsowskiego. Beethoven, Allegro z Sonaty. Mertz, 'Gondoliera'. Downar-Zapolski. Mozart, Koncert fortepianowy nr 8. Osborne i Bériot, Duet na skrzypce i fortepian. Döhler, Nocturno op. 24 na fortepian. Ludwik Cieslinski (pianista). Bach, 'Medytacja'. Rode, Allegro z Koncertu skrzypcowego nr 1. Wladyslaw Jelczewski. Mendelssohn, 'Capriccio'. Moniuszko, piesni 'Nasze kwiaty' i 'Znaszli ten kraj' oraz Polonez z opery 'Halka' na chór meski. Sala Hotelu Warszawskiego: Waclaw Linda Matusek (skrzypek)] |
RuchMuzyczny(1) |
4 | 29 | 6-18 Jul 1860 |
473-475 |
|
| 3. | K., L. | J. S. Bachs Cantaten im Clavierauszuge bearbeitet von Robert Franz. Neue billige Ausgabe. Erste Serie. Verlag von F. E. C. Leuckart in Breslau. |
Signale |
23 | 41 | 6 Oct 1865 |
661 |
|
| 4. | K., L. | Seb. Bach'sche Claviercompositionen. [Peters publishes Serie I Cah. 3 'mit bisher ungedruckten Claviercompositionen'] |
Signale |
25 | 13 | 15 Feb 1867 |
204 |
|
| 5. | K., L. | Johann Seb. Bach's Ciaccona für Violine, für das Pianoforte bearbeitet von E. Pauer. Pr. 25 Ngr. Verlag von Bartholf Senff in Leipzig. |
Signale |
25 | 27 | 16 May 1867 |
459 |
|
| 6. | K., L. | Am 22. Septbr. c. gab die hiefige musikalische Akademie im Berein mit den Liederfreunden in der Kgl. Schloßkirche zum Besten der National-Invaliden-Stiftung ein Concert ... Aufführungen. |
Urania(Erfurt) |
24 | 3 | 1867 |
44-46 |
|
| 7. | K., L. | Achtzehn Variationen für das Pianoforte über ein Thema von J. S. Bach, componirt von Franz Wüllner. Op. 23. Verlag von Schott's Söhnen in Mainz. |
Signale |
27 | 54 | 18 Oct 1869 |
851 |
|
| 8. | Klemcke, L. (arr.) | Gavotte und Musette / Joh. Seb. Bach. arr. v. L. Klemcke f. V., Vla, Vcello u. Cb. Mk 1 n. - f. 2 V., Vla u. Vcello. Mk 0,80 n. - Heilbronn: Schmidt [1893] |
|
| | 1893 |
|
|
| 9. | Kamieński, Lucian | Die Oratorien von Johann Adolf Hasse. [Zugl.: Berlin, Diss., 1910] Leipzig: Breitkopf & Härtel, 1912. 366, 58p. |
|
| | 1912 |
366, 58p |
Latin 2 |
| 10. | Kamienski, Lucian | Das sechste Deutsche Bachfest in Breslau (15.-17. Juni). |
DieMusik |
11 | 21 | 1 Aug 1912 |
149-153 |
Bd.44 (= Jg.11, Quartal 4) |
| 11. | Svecenski, Louis; [Svećenski] (arr.) | Six suites originally written for violoncello solo / Johann Sebastian Bach. Adapted, revised and fingered for Viola by Louis Svećenski. - New York: G. Schirmer, 1916 [R/1944, 1951] 53p. Pl.-Nr.: 26567. (= Schirmer's Library of Musical Classics, 1278) [BWV 1007-1012] |
SchirmerLib |
1278 | | 1916 |
53p |
Latin 2 |
| 12. | Godowsky, Leopold (arr.) | Sonatas & Suites for Violin Solo & Violoncello Solo (unaccompanied) ; Suite in D minor (No.2, violoncello) / Johann Sebastian Bach. Freely transcribed & adapted for the Pianoforte by Leopold Godowsky ... [dedicated to Jean Gerardy] - New York [u.a.]: Carl Fischer, 1924. 31p. Pl.-Nr. 23078-30. [BWV 1008] |
|
| | 1924 |
31p |
|
| 13. | Godowsky, Leopold (arr.) | Sonatas & Suites for Violin Solo & Violoncello Solo (unaccompanied) ; Suite in C minor (No.5, violoncello) / Johann Sebastian Bach. Freely transcribed & adapted for the Pianoforte by Leopold Godowsky ... [dedicated to Pablo Casals] - New York [u.a.]: Carl Fischer, 1924. 35p. Pl.-Nr. 22936-33. [BWV 1011] |
|
| | 1924 |
35p |
|
| 14. | Godowsky, Leopold (arr.) | Sonatas & Suites for Violin Solo & Violoncello Solo (unaccompanied) ; Suite in C major (No.3, violoncello) / Johann Sebastian Bach. Freely transcribed & adapted for the Pianoforte by Leopold Godowsky ... [dedicated to Mario Paci of Shanghai, China] - New York [u.a.]: Carl Fischer, 1924. 35p. Pl.-Nr. 22950-33. [BWV 1009] |
|
| | 1924 |
35p |
|
| 15. | Godowsky, Leopold (arr.) | Sonatas & Suites for Violin Solo & Violoncello Solo (unaccompanied) ; Sonata in G minor (No.1, violin) / Johann Sebastian Bach. Freely transcribed & adapted for the Pianoforte by Leopold Godowsky ... [dedicated to Franz Kniesel] - New York [u.a.]: Carl Fischer, 1924. 36p. Pl.-Nr. 23017-34. [BWV 1001] |
|
| | 1924 |
36p |
|
| 16. | Godowsky, Leopold (arr.) | Sonatas & Suites for Violin Solo & Violoncello Solo (unaccompanied) ; Sonata in B minor (No.2, violin) / Johann Sebastian Bach. Freely transcribed & adapted for the Pianoforte by Leopold Godowsky ... [dedicated to Sergei Rachmaninoff] - New York [u.a.]: Carl Fischer, 1924. 41p. Pl.-Nr. 22945-40. [BWV 1002] |
|
| | 1924 |
41p |
|
| 17. | Godowsky, Leopold (arr.) | Sonatas & Suites for Violin Solo & Violoncello Solo (unaccompanied) ; Sonata in A minor (No.3, violin) / Johann Sebastian Bach. Freely transcribed & adapted for the Pianoforte by Leopold Godowsky ... [dedicated to Leopold Auer] - New York [u.a.]: Carl Fischer, 1924. 47p. Pl.-Nr. 23102-46. [BWV 1003] |
|
| | 1924 |
47p |
|
| 18. | Stokowski, Leopold (arr.) | J. S. Bach. Chaconne. USA, University of Pensilvania Library, Leopold Stokowski Collection. 109 ms parts, 1930. Edition Peters solo violin part marked by Leopold Stokowski with notes for orchestration. In: Leopold Stokowski Collection of Orchestral Transcriptions. Box 8. |
|
| | 1930 |
54p |
|
| 19. | Stokowski, Leopold | [article on Bach] |
CourrierM |
37 | 3 | 1 Feb 1935 |
|
|
| 20. | Stokowski, Leopold (arr.) | Bach-Stokowski. Komm süsser Tod [aus die geistlichen Lieder und Arien]: symphonic transcription published from the library of Leopold Stokowski. - New York: Broude Brothers, [1946]. 6p + 30 St. Best.-Nr. BB 130.; B.B.440 [BWV 478] |
|
| | 1946 |
6p + 30 St |
|
| 21. | Stokowski, Leopold (arr.) | Bach-Stokowski. Adagio from the Toccata and Fugue in C Minor for organ: symphonic transcription published from the library of Leopold Stokowski. - New York: Broude Brothers, [1946]. 9p. Best.-Nr. (aufgestempelt): BB 3001; Pl.-Nr.: BB 131. [BWV 564] |
|
| | 1946 |
9p |
|
| 22. | Stokowski, Leopold (arr.) | Bach-Stokowski. Chorale-Prelude: Wir glauben all' an einen Gott ('Giant Fugue'): symphonic transcription published from the library of Leopold Stokowski. - New York: Broude Brothers, [1948]. 18p. Best.-Nr. (aufgestempelt): BB 3004; Pl.-Nr.: B.B. 132.; Repr. E. F. Kalmus, [n.d.]. Pl.-Nr. A5521. [BWV 680] |
|
| | 1948 |
18p |
|
| 23. | Stokowski, Leopold (arr.) | Bach-Stokowski. Mein Jesu was für Seelenweh befällt Dich in Gethsemane: Geistliches Lied (Schemelli's Gesang-Buch): symphonic transcription for string orchestra published from the library of Leopold Stokowski. - New York: Broude Brothers, [1949]. 4p. Pl.-Nr.: B.B. 434.; Repr. E. F. Kalmus, [n.d.]. Pl.-Nr. A5518. [BWV 487] |
|
| | 1949 |
4p |
|
| 24. | Stokowski, Leopold (arr.) | Bach-Stokowski. Siciliano from first part of the Sonata no. 4, in C minor, for cembalo and violin: symphonic transcription for string orchestra published from the library of Leopold Stokowski. - New York: Broude Brothers, [1949]. 6p. Pl.-Nr. B. B. 436. [BWV 1017/1] |
|
| | 1949 |
6p |
|
| 25. | Stokowski, Leopold (arr.) | Bach-Stokowski. Prelude in B Minor (No. 24 of the first part of Das Wohltemperierte Klavier): symphonic transcription for string orchestra published from the library of Leopold Stokowski. - New York: Broude Brothers, [1949]. 6p. Best.-Nr. (aufgestempelt): BB 3009; Pl.-Nr.: B.B. 432.; Repr. E. F. Kalmus, [n.d.]. Pl.-Nr. A5519. [BWV 869] |
|
| | 1949 |
6p |
|
| 26. | Stokowski, Leopold (arr.) | Bach-Stokowski. Aria: air from the Ouverture no. 3 in D major: symphonic transcription for string orchestra published from the library of Leopold Stokowski. - New York: Broude Brothers, c1949. 8p. Pl.-Nr. B.B. 430; repr. E. F. Kalmus. [n.d.] Pl.-Nr. A5516. [BWV 1068] |
|
| | 1949 |
8p |
|
| 27. | Stokowski, Leopold (arr.) | Bach-Stokowski. Chorale from the easter cantata: symphonic transcription published from the library of Leopold Stokowski. - New York: Broude Brothers, [1950]. 17p. Best.-Nr. (aufgestempelt): BB 3003; Pl.-Nr.: B.B. 552. [BWV 4] |
|
| | 1950 |
17p |
|
| 28. | Stokowski, Leopold (arr.) | Bach-Stokowski. Fugue in G Minor (The Shorter) BWV 578: Symphonic Transcription from the library of Leopold Stokowski. - New York: Broude Brothers, [1950]. 21p. Best.-Nr. (aufgestempelt): BB 3005; Pl.-Nr.: B.B. 550. [BWV 578] |
|
| | c 1950 |
21p |
|
| 29. | Stokowski, Leopold | That great 'modern' - Bach. |
NYTimesMag |
23 | 7 | 1950 |
|
|
| 30. | Stokowski, Leopold (arr.) | Bach-Stokowski. Passacaglia and fugue in C minor: symphonic transcription. Published from the library of Leopold Stokowski. - New York: Broude Brothers, [1951]. 69p + St. Best.-Nr. B.B. 90 (score); Best.Nr. B.B. 91 (parts). [BWV 582] |
|
| | 1951 |
69p + St |
|
| 31. | Stokowski, Leopold (arr.) | Bach-Stokowski. Toccata and fugue in D minor: symphonic transcription. published from the library of Leopold Stokowski. - New York: Broude Brothers, [1952]. 63p + 36 St. Best.-Nr. (aufgestempelt): BB 3011; Pl.-Nr.: B.B. 92 (Best.-Nr. Partitur); B.B. 93 (Best.-Nr. Stimmen). [BWV 538] |
|
| | c 1952 |
63p + 36 St |
|
| 32. | Stokowski, Leopold (arr.) | Sheep may safely graze (Schafe können sicher weiden) from Cantata 208: Was mir behagt / Bach. Symphonic transcription for strings and woodwinds by Leopold Stokowski. - New York; London: C.F. Peters Corp., [1959]. 8p. (= Edition Peters, 6124) [BWV 208/9] |
EdPeters |
6124 | | 1959 |
8p |
|
| 33. | Markowski, Liesel | Johann Sebastian Bach: Matthäus-Passion BWV 244 (historische Aufnahme [von 1941, Thomanerchor unter G. Ramin]). Eterna 820 625-627 [Schallplattenbespr.] |
MGesellschaft |
17 | 7 | Jul 1967 |
488-489 |
|
| 34. | Witkowski, Leon | 2. Miedzynarodowy festival Bachowski w Lipsku. |
RuchMuzyczny(3) |
15 | | 1971 |
13-14 |
|
| 35. | Markowski, Liesel | Bachs 'Matthäuspassion'. [Mendelssohn-Ehrung der DDR; Berichte von den Veranstaltungen in Leipzig und Berlin; Aufführung unter Helmut Koch in Berlin] |
MGesellschaft |
23 | 1 | Jan 1973 |
34-35 |
|
| 36. | Markowski, Liesel | Peter Schreier dirigierte Bach. Kurz berichtet. |
MGesellschaft |
23 | 4 | Apr 1973 |
244-245 |
|
| 37. | Witkowski, Leon | Festiwal Bachowski. Frankfurt n/odra. |
RuchMuzyczny(3) |
18 | | 1974 |
14-15 |
|
| 38. | Markowski, Liesel; Viertel, Karl-Heinz, et.al. | III. Internationales Bachfest der DDR in Leipzig. |
MGesellschaft |
25 | 11 | Nov 1975 |
641-661 |
|
| 39. | Witkowski, Leon | 3. miedzynarodowy festiwal Bachowski w Lipsku. |
RuchMuzyczny(3) |
19 | | 1975 |
16-17 |
|
| 40. | Witkowski, Leon | Jubilenszowy Festiwal Bacha. |
ZycieMuzyczne |
| 12 | 1975 |
8-9 |
|
| 41. | Laskowski, Larry | Heinrich Schenker: An Annotated Index to his Analyses of Musical Works. N.Y.: Pendragon Press, 1978. xlix, 157p. (= Annotated Reference Tool in Music, 1) [5-32 for J. S. Bach] |
|
| | 1978 |
xlix, 157p |
|
| 42. | Laskowski, Larry | Context and voice leading: influences on thematic and tonal structure. |
TheoryPractice |
4 | 1 | Mar 1979 |
15-24 |
|
| 43. | Laskowski, Larry | Context and Voice Leading: Influences on Thematic and Tonal Structure. |
TheoryPractice |
4 | 1 | Mar 1979 |
15-24 |
|
| 44. | Markowski, Liesel | Faksimile-Ausgaben Bachscher handschriften. |
MGesellschaft |
30 | 7 | 1980 |
399-401 |
|
| 45. | Laskowski, Larry | Symmetrical design and its relationship to voice leading. Response. |
TheoryPractice |
5 | 1 | Jul 1980 |
57-65 |
|
| 46. | Markowski, Liesel | Um eine historisch-getreue und heutige Bach-Wiedergabe. Interpretation. |
MGesellschaft |
34 | 10 | Oct 1984 |
542-547 |
|
| 47. | Kucharski, Lech | [on Schumann's fugues on the name B-A-C-H, op. 60] |
OrganyMOrganowa |
5 | | 1984 |
|
|
| 48. | Sitsky, Larry | Busoni and the Piano: The Works, the Writings, and the Recordings. Westport, Conn.: Greenwood, 1986. xi, 409p. ISBN: 0-313-23671-21. (= Contributions to the study of music and dance, 7) |
ContributStudMDance |
7 | | 1986 |
xi, 409p |
|
| 49. | Pike, Lionel | Robert Simpson's ninth symphony. |
Tempo |
| 170 | Sep 1989 |
19-23 |
|
| 50. | Pulakka, Lauri | Bachin sellosarjojen editiot Bach-reseption peilinä. [The editions of Bach's cello suites as a mirror of Bach reception] |
[ce]NakokulmiaMusiikkiin |
| | 1990 |
45-71 |
|
| 51. | Laskowski, Larry | J. S. Bach's 'binary' dance movements: form and voice leading. [BWV 817] |
[ce]SchenkerStud |
| | 1990 |
84-93 |
|
| 52. | Zeke, Lajos | Harmóniai funkció és logosz avagy logika és funkciórend harmóniájáról. [Harmonic functions and logos, or, On the harmony of logic and functional order] |
MagyarZene |
31 | 2 | Jun 1990 |
201-223 |
|
| 53. | Marckx, Leslie Hirt | French Baroque Influences on Johann Sebastian Bach's 'Six Suites for Violoncello Solo' with an Emphasis on French Court Dance and Suite V. DMA diss, University of Washington, 1998. 65p |
diss. |
| | 1998 |
65p |
|
| 54. | Kucharski, Lech | Rozwój formy fugi u Bacha na przykladzie jego dziel organowych. [The evolution of Bach's fugue forms as exemplified in his fugues for organ] |
[fs]Wesolowski |
| | 1999 |
79-85 |
|
| 55. | Chalupka, L'ubomír | J.S. Bach medzi históriou a súčasnost'ou. Bachovské inpirácie v premenách priestoru a času. [J.S. Bach between past and present. Bach as an inspiration in changing times and spaces] Slovenska hudba, xxvi/4 (2000), pp. 409-530. ISSN: 0037-6965 |
SlovenskaHudba |
26 | 4 | 2000 |
409-530 |
Latin 2 |
| 56. | Chalupka, L'ubomír | Dielo J.S. Bacha ako inpirácia v slovenskej skladatežskej tvorbe 20. storočia. [The work of Johann Sebastian Bach as an inspiration in 20th-century Slovak music] |
SlovenskaHudba |
26 | 4 | 2000 |
459-466 |
Latin 2 |
| 57. | Chalupka, L'ubomir | Cestou hl'adania maxim...: Reflexie k tvorbe Mira Bazlika [The search for the maximum...: Reflections on the work of Miro Bazlik] |
SlovenskaHudba |
27 | 1 | 2001 |
5-29 |
|
| 58. | Marckx, Leslie Hirt | Inspired by dance. Music Matters. [BWV 1007, 1011] |
Strad |
112 | 1333 | May 2001 |
506-509 |
|
| 59. | Stránská, Lenka | Jean Sébastien Bach, une figure incontournable dans les arts plastiques: la fugue telle qu'elle est perçue par les plasticiens au vingtičme sičcle. |
CompostelaPrize |
2 | | 2002 |
261-294 |
[cr]Regensburg2000 |
| 60. | Kyyanovska, Luba | Barocke und insbesondere Bachsche Einflüsse auf das Schaffen Lemberger Komponisten des 20. Jahrhunderts. [Johann Philipp Kirnberger] |
JbKonfMittDBarockM |
2001 | | 2002 |
214-221 |
|
| 61. | Zeke, Lajos | Az op. 111 ariettájától a Zene fúgájáig: A bartóki kozmikus kvintspirál beethoveni előképe. [From the arietta of op. 111 to the fugue of Music for strings, percussion and celesta: Bartok's cosmic spiral of fifths and its Beethovenian prototype] |
MagyarZene |
45 | 3 | Aug 2007 |
231-264 |
Latin 2 |
| 62. | Puchalski, Lucjan (ed.) | Mozarts literarische Spuren: Werk und Leben des Komponisten im literarischen Diskurs vom späten 18. Jahrhundert bis zur Gegenwart ; Ergebnisse des Symposiums in Wrocław/Breslau, 20. - 23. November 2006. [Referate ... der im Herbst 2006 von der Forschungsstelle für Österreichische Literatur am Germanistischen Institut der Universität Wrocław (Breslau) ... organisierten Tagung] / Lucjan Puchalski (Hrsg.) - Wien: Praesens-Verlag, 2008. 384p. ISBN: 978-3-7069-0454-4. |
[cr]Breslau2006 |
| | 2008 |
384p |
Latin 2 |
| 63. | Chalupka, L'ubomír | Inpirácie z hudby Johanna Sebastiana Bacha v tvorbe Mira Bázlika. [Inspirations from the music of Johann Sebastian Bach in the work of Miro Bázlik] |
SlovenskaHudba |
34 | 2 | 2008 |
118-132 |
|
| 64. | Chalupka, L'ubomír | K povahe konvergentnosti v diele Romana Bergera. [To nature of convergency in the work of Roman Berger] In: L'ubomír Chalupka (ed.), Slovenská hudba 20. storočia v pohl'adoch a kontextoch [Slovak 20th century music in views and contexts]. - Bratislava: Univerzita Komenského (Filozofická Fakulta), 2011. 168p. ISBN: 978-80-223-3116-6; 80-223-3116-3. pp. 49-64. [BWV 869/2] |
|
| | 2011 |
49-64 |
Latin 2 |